
Sorry, "Che t'aqgia fa..." is wrong (beginning).
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Sorry, "Che t'aqgia fa..." is wrong (beginning).
Thanks for reporting, corrected.
Welcome.
Actually, if you would be philologically correct, you must write something like:
"che t' agg' a fa', che t'agg' a di' "
Actually, it is the contract form of: "che ti aggio a fare" "che ti aggio a dire".
Apostrophes mark the elisions: you should put them when needed and in their right place.
Anyway, seeing that "italian" dialects rarely have one codified way to be written, it's hard to find a dialectal expression written twice in the same way... ;-)
So people do a little as he wants; I think that could be a good idea to follow the guidelines of the native speakers; otherwise, we could use our knowledge of phonetic and grammar rules to write our texts in an acceptable way ;-)
It's not my text. I'm out.
J)
Are you out? Me too, I'm afraid...
I wrote what I thought were right, but now I'm not so sure better, I think I'm quite wrong! :bigsmile:
Maybe the "philologically correct" form is really: che t'aggia fa'/ffa'. I have thought there were an archaic form of pseudo-latin with "ad" (because the action is addressed towards her/him). But I quickly realized that "ad" needs the object strictly close to it(ad te, ad me) :~ and probably"aggia" is correctly written in this way,coming from "habeo" (+facere) and not from "habeo ad".
And knowing that in many cases, in neapolitan dialect the pronunciation of the last vowel is an undetermined sound, could be an "o"turned in something similar to an "a"(habeo>aggia).
I apologize for my previous linguistic hipothesis based on nothing more than a fantasious idea :shy: maybe influenced from the well-known habit, in many southern dialects, of add -in some case- an "a"(= to, towards) before the direct complement (ho chiamato "a" mia mamma/"a" mio fratello)...
testo e musica: Adriano Celentano
Dialetto pugliese settentrionale (Foggia), subvariante del Napoletano.