traduction en anglais

Your Saviour

• 1. The French translation team took the creepy cult theme and ran with it faster than Abby piggybacking Baby out of the gameshow. I blame the shameless use of Dies Irae. Good Job show runners.
• 2. the "ouais" was absolutely both genius "yeah-yeah" ing that fits the song and a way to synchronise the lips movement as the French "sanctuaire" is two syllables and the English "sanctuary" is three syllables. The on screen focus is close on Abby Saja's face as he's singing and confidently playing with the beads on his traditional hat, leaving the "yeah" out would have left the shot with the character saying something silently. Genius adaptation. Bravo TITRAFILMS.
• 3. Mystery Saja sings this line. In the French adaptation of Free (Libres), Jinu and Rumi sing "what if we let our sorrows behind".
• 4. lit: "drink my words". Unlike Soda Pop, the Saja Boys are not drinking the audience members but asks the audience to drink of *their* Demon K-Pop Marketing Kool-Aid. Remember also the Rujinu shipper after the signing session : she gets her soul taken while buying a can of Saja Boys branded soda.
• 5. The transcription is wrong. I've now watched the movie and it's really "mais" not "et" that is sung. Honest mistake.
• 6. Again, not facing the sorrow and the fears like in Free just before but seeking oblivion instead. Rumi fixes that in the next song.
• 7. it's a cult, they pose themselves as saviours, the word "idol/idole" is not present in the song, substituted for saviour but it definitely poses the picture of religious worship of a false prophet seeving the actual Devil, a great revelation that links the song to again another in the show, Takedown, which in French is "Dévoile" as in "Unveil" which gets so many meanings over the movie, in the original AND the translations that it's dizzying.
• 8. They drank the Soda Kool Pop Aid and are drowning in their adoration of their Idol Saviour.
• 9. The crowd is abandonning themselves to the trance the original EN-KR language chorus mentions, as the Saja Boys calls them up to the stage where Gwi-Ma awaits to feast on their souls.
• 10. Again, not faving the sorrow and the fears like in Free just before but seeking oblivion instead