Leonard Cohen

First We Take Manhattan lyrics

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Language:
English
Album:
I'm Your Man (1988)

First We Take Manhattan

They sentenced me to twenty years of boredom
for trying to change the system from within;
I'm coming now, I'm coming to reward them:
 
First we take Manhattan, then we take Berlin!
 
I'm guided by a signal in the heavens,
I'm guided by this birthmark on my skin,
I'm guided by the beauty of our weapons:
 
First we take Manhattan, then we take Berlin!
 
I'd really like to live beside you, baby,
I love your body and your spirit and your clothes,
but you see that line there moving through the station?
I told you, I told you, told you: I was one of those.
 
Ah, you loved me as a loser,
but now you're worried that I just might win,
you know the way to stop me,
but you don't have the discipline.
How many nights I prayed for this,
to let my work begin:
 
First we take Manhattan, then we take Berlin!
 
I don't like your fashion business mister
and I don't like these drugs that keep you thin,
I don't like what happened to my sister:
 
First we take Manhattan, then we take Berlin!
 
And I thank you for those items that you sent me, ha ha,
the monkey and the plywood violin;
I practiced every night, now I'm ready:
 
First we take Manhattan, then we take Berlin!
 
Ah, remember me, I used to live for music,
remember me, I brought your groceries in;
well, it's Father's Day and everybody's wounded:
 
First we take Manhattan, then we take Berlin!
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Valeriu Raut Valeriu Raut
submitted on 14 Oct 2012 - 11:00
David Ephraim David Ephraim
Subtitles created on 27 Feb 2025 - 19:20
Copyright:
Writer(s): Leonard Cohen
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Comments 5

BuenSabor BuenSabor
21 Apr 2013, 06:14
BuenSabor BuenSabor
21 Apr 2013, 06:15
BuenSabor BuenSabor
17 Dec 2025, 18:21

What is the story behind this song?

Like1
fatix fatix
17 Dec 2025, 18:26

i asked this question to 'AI' of Google, and this came out as result on my screen👍🏼

~~~

• Leonard Cohen described "First We Take Manhattan" as a "terrorist song," though he clarified that it refers to a "psychic terrorism"—an uncompromising refusal to settle for the world as it is.

• Released in 1988 on the album I’m Your Man, the song explores themes of extremism, bitterness, and the desire to dismantle established systems.

Core Themes and Interpretations
The Mind of the Extremist: Cohen used the song to examine the "purest burning logic of longing" found in extremist positions. He admired the lack of compromise and clarity of purpose in such movements, even as he distanced himself from their physical violence.
Artistic Rebirth and Revenge: Many interpret the lyrics—specifically the line "sentenced to twenty years of boredom for trying to change the system from within"—as Cohen’s reflection on his own career. It depicts an artist who, after years of being ignored, returns with a "menacing" plan to take over the world with his work.

Geopolitical Symbolism:
Manhattan and Berlin were chosen as twin capitals of modern power and ideological division. In the late 1980s, Manhattan represented the height of capitalist finance, while Berlin remained literally divided by the Wall, serving as the frontline of the Cold War.

Psychic Disruption:
Cohen stated the song was a response to the "boredom" and "anxiety" of daily life. By framing it as a "geopolitical manifesto," he aimed to offer a sense of power to those who felt dispossessed or "wounded" by modern society.

~~~

Key Lyrics and Symbolism:

• The "Monkey and the Plywood Violin":
These are often viewed as insults sent to a struggling artist (a toy violin and a trained animal), which the narrator then uses to "practice every night" until he is ready for conquest.

• Guided by a "Birthmark":
This suggests a mission that is both metaphysical ("signal in the heavens") and deeply personal, grounding the narrator's radical conviction in his physical existence.

• "I Don’t Like What Happened to My Sister":
This cryptic line is interpreted as a personal grievance that fuels the narrator's systemic rage, hinting at past violations or injustices that make his "revolution" personal.

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